Esta roda que começa agora
Tá ficando boa não quer terminar
A roda da Capoeira
Pernada, rasteira e salto no ar

E ê, Batuque ê a

No batuque dessa roda
Tem muita energia para jogar

Batuque ê ê, Batuque ê a

Tem mandinga tem malícia
Tem água de coco eu vou tomar

Batuque ê ê, Batuque ê a

Meia lua cabeçada
Tem rabo de arraia à derribar

Batuque ê ê, Batuque ê a

Tem biriba tem viola
Atabaque e pandeiro pra tocar

Batuque ê ê, Batuque ê a

Esta roda que termina agora
Tá ficando boa não quer terminar
A roda da Capoeira
Pernada, rasteira e salto no ar

E ê, Batuque ê a

No Batuque dessa roda
Tem muita energia para jogar

Batuque ê ê, Batuque ê a

This roda that starts now
Is getting good and doesn’t want to end
The Capoeira roda
Kicks, sweeps, and leaps into the air

E ê, Batuque ê a

In the rhythm of this roda
There’s a lot of energy to play

Batuque ê ê, Batuque ê a

There’s magic, there’s malice
There’s coconut water that I’m going to drink

Batuque ê ê, Batuque ê a

Meia lua, headbutt
There’s a rabo de arraia to knock down

Batuque ê ê, Batuque ê a

There’s biriba, there’s a viola
Atabaque and tambourine to play

Batuque ê ê, Batuque ê a

This roda that ends now
Is getting good and doesn’t want to end
The Capoeira roda
Kicks, sweeps, and leaps into the air

E ê, Batuque ê a

In the rhythm of this roda
There’s a lot of energy to play

Batuque ê ê, Batuque ê a

Did you know?

Atabaque

  • The atabaque is a large, hand-carved wooden drum of African origin that provides the deep, foundational heartbeat and grounding bass line for the capoeira orchestra.
  • In the musical layout of the roda, it holds a critical position by anchoring the pulse of the room and maintaining the strict tempo dictated by the leading gunga berimbau.
  • The drum is constructed in a conical shape from wooden staves bound together with iron hoops, topped with a stretched animal hide head that is tuned using wooden wedges and ropes.
  • Capoeiristas play it using open-hand palm strikes and finger slaps on the drumhead, creating low bass tones and high, sharp rims that drive the forward momentum of the music.
  • In the traditional setup of Capoeira Angola, a single atabaque is placed at the far end of the instrument row, locking the rhythm tightly with the pandeiros.
  • Beyond its musical purpose, it holds a sacred, spiritual role rooted in Afro-Brazilian traditions, functioning as a powerful engine that elevates the physical energy of the capoeiristas.

Batuque

  • Batuque was a formidable, highly competitive Afro-Brazilian martial art centered around balance and leg sweeps that originated in Salvador, Bahia, during the 19th century.
  • The main objective of the combat was to unbalance opponents and forcefully throw them to the ground using only kicks, trips, and sweeps.
  • The combat was driven by the booming rhythms of hand drums and traditional percussion instruments, which set the intense physical energy and pace for the fighters.
  • Mestre Bimba was a master of this style, learning the art directly from his father, who was an absolute champion of the discipline.
  • He heavily integrated the techniques and devastating leg sweeps of this combat art into the creation of Capoeira Regional.
  • While the independent martial practice eventually became extinct by the mid-20th century, its combative spirit and lethal mechanics live on through capoeira.

Biriba

  • Biriba is the highly prized, traditional wood harvested from the Eschweilera ovata tree used to craft the verga, which is the flexible wooden bow and backbone of the berimbau.
  • Sourced primarily from the Atlantic Forest of Bahia, this specific timber is legendary among capoeiristas for possessing the perfect natural combination of strength, flexibility, and elasticity.
  • Its unique physical traits allow the instrument to be heavily flexed and armed under intense tension countless times throughout its life without snapping or permanently losing its shape.
  • In old-school tradition, master craftsmen harvest the wood during specific moon phases and carefully shave, sand, and varnish the branch while adding leather protection at the top tip.
  • Today, due to the global expansion of the art and high demand, true Bahian biriba is highly protected, prompting capoeiristas to treat their instruments with immense care and reverence.

Pandeiro

  • The pandeiro is a traditional hand-frame drum and tambourine of African and European origin that provides the essential heartbeat and syncopated drive within the capoeira orchestra.
  • In the musical hierarchy of the roda, it plays a critical supporting role by filling the sonic space beneath the leading voice of the berimbau.
  • The instrument features a stretched animal hide head over a round wooden frame embedded with crisp metal jingles called platinelas that cut sharply through the singing.
  • Capoeiristas utilize a precise technique of alternating thumb strikes, heel-and-toe hand pivots, and sharp finger slaps to generate a driving, syncopated rhythm.
  • In Capoeira Angola, two pandeiros are traditionally positioned to flank the three berimbaus, locking the baseline rhythm alongside the deep beat of the atabaque.
  • Today, mastering the pandeiro is a foundational requirement for all capoeiristas, ensuring they can actively maintain the high energy, timing, and momentum of the roda.

Viola

  • The viola—or violinha—is the highest-pitched berimbau in the orchestra, distinct for having the smallest gourd resonator and the most rigid wooden staff.
  • Because its thicker wood requires immense physical strength to flex and string tightly, it produces a very sharp, bright, and piercing acoustic sound.
  • In the musical hierarchy of the roda, it serves as the ultimate soloist, breaking away from the steady baseline rhythm maintained by the deeper instruments.
  • Its primary role is to improvise, add rhythmic fills, and inject intricate variations that add texture and high energy to the atmosphere.
  • It cuts through the heavy collective sound of the percussion easily, creating tiny acoustic spaces for expressive, advanced musical details.
  • For capoeiristas, mastering the viola represents a high level of musical maturity, acting like a lead guitar that drives the spirit and flavor of the game.