Capoeira que vem da Bahia
Vem da terra de São Salvador
Mande um abraço pra ela
E diga pro meu amor
Diga que estou pra morrer de saudade
Capoeira me chamou
Diga que estou pra morrer de saudade
Capoeira me chamou

Tico tico canta na mata
Sabia’ canta na laranjeira
Tico tico canta na mata
Sabia’ canta na laranjeira
Nunca vi roda de samba
Sem jogo de capoeira
Nunca vi roda de samba
Sem jogo de capoeira
Eh beriba e’ pau de fazê berimbau
Beriba é pau
De fazê berimbau
Beriba é pau
De fazê berimbau

Capoeira that comes from Bahia
It comes from the land of São Salvador
Send a hug to my love
and let her know
that I miss her to death and that
capoeira is calling me
that I miss her to death and that
capoeira is calling me

“Tico-tico” bird sings in the woods
Sabiá sings on the orange tree
“Tico-tico” bird sings in the woods
Sabiá sings on the orange tree
I’ve never seen a “roda de samba”
without being followed by capoeira games
I’ve never seen a “roda de samba”
without being followed by capoeira games
Biriba is a wood, the wood to make berimbau
Biriba is a wood
the wood to make berimbau
Biriba is a wood
the wood to make berimbauv

Did you know?

Bahia

Bahia, particularly its capital Salvador and the surrounding Recôncavo region, is the historical and cultural birthplace of capoeira in Brazil.
Salvador was founded in 1549 and served as a major port for the transatlantic slave trade, bringing millions of West and Central Africans to the region.


Berimbau

  • The berimbau is a single-string musical bow of African origin that functions as the absolute leader and commander of the roda.
  • The instrument dictates the exact speed, stylistic tone, and combat intensity of the capoeiristas through specific rhythms known as toques.
  • A traditional berimbau is constructed from a wooden staff, a steel wire, a hollowed gourd resonator, a small stone or coin, a bamboo shaker, and a wooden thin stick.
  • In a traditional orchestra, three distinct pitches are used: the deep-toned gunga to lead the group, the medium médio to hold the rhythm, and the high-pitched viola to improvise.
  • Enslaved Africans historically used the live music of the bow to camouflage their outlawed martial art, making the training look like an innocent dance to colonial authorities.
  • Today, the instrument holds a sacred status within the art, and capoeiristas show immense reverence toward it, celebrating its spiritual voice in countless traditional songs.

Samba

  • Samba is a vibrant Brazilian musical genre and dance form that shares deep West African roots, historical resistance, and an unbreakable cultural bond with capoeira.
  • In the context of the roda, samba functions as an essential companion art, most famously expressed through the high-energy samba de roda performed immediately after the martial matches conclude.
  • Enslaved Africans in Bahia developed both arts simultaneously as overlapping tools for community celebration, psychological release, and the survival of ancestral rhythms.
  • The music relies on identical percussion instruments found in capoeira, such as the pandeiro and atabaque, to drive the syncopated, polyrhythmic foundation of the dance.
  • Training in the dance directly benefits capoeiristas by sharpening their physical footwork, rhythm, agility, and the streetwise cunning known as malandragem.
  • Today, concluding a gathering with this dance serves to transform the combative tension of the martial art into pure collective joy, unity, and shared cultural pride.