Falou, falou da escravidão, falou,
Falou, falou da opressão, falou,
Falou, lá nos tempos de bimba, falou,
Falou, hoje se escutou…

Falou, fala da escravidão, falou,
Falou, fala da opressão, falou,
Falou, lá nos tempos de bimba, falou,
Falou, hoje se escutou…

O negro que sofria na senzala
Trabalhava na fazenda da feitor,
E um dia ele escutou um lamento
Era Zumbi dos palmares
Foi ele que quem libertou
Hoje falou…

Falou, fala da escravidão, falou,
Falou, fala da opressão, falou,
Falou, lá nos tempos de Bimba, falou,
Falou, hoje se escutou…

Berimbau ajudava os capoeiras
Lá no tempo lá no tempo da opressão
Se escutava o toque de Cavalaria
Quando a policia seguia berimbau já me avisou
Hoje falou…

Falou, fala da escravidão, falou,
Falou, fala da opressão, falou,
Falou, lá nos tempos de Bimba, falou,
Falou, hoje se escutou…

Manuel foi o mestre respeitado
Criador da arte da regional,
Hoje em dia seu nome será lembrado
Já não se esqueçeu do homen que a Capoeira falou…
Hoje falou…

Falou, fala da escravidão, falou,
Falou, fala da opressão, falou,
Falou, lá nos tempos de Bimba, falou,
Falou, hoje se escutou…

Historia que se narram do passado
Jogadores que se escutam ate hoje
E os cantos que me levam pelos tempos
Lembrando issos momentos onde o berimbau toco
Hoje falou…

Falou, fala da escravidão, falou,
Falou, fala da opressão, falou,
Falou, lá nos tempos de Bimba, falou,
Falou, hoje se escutou…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

The negro that suffers in the slave quarters,
he worked in the farm of the foreman
And one day he heard a lament
It was Zumbi of Palmares
It was he who freed him
Today I spoke…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

Berimbau helped the capoeiristas
There in the time, there in the time of oppression
If you heard the rhythm of Cavalaria
When the police followed, berimbau already warned me
Today I spoke…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

Manuel was the respected master
Creator of the Regional art,
Today his name will be remembered
Now don’t forget the man that spoke Capoeira…
Today I spoke…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

History that narrates the past
Players who we hear of until today
And the songs that take me to those times
Remembering those moments where the berimbau played
Today I spoke…

I spoke, spoke of slavery, I spoke,
I spoke, spoke of oppression, I spoke,
I spoke, there in the times of Bimba, I spoke,
I spoke, was heard today…

Did you know?

Berimbau

  • The berimbau is a single-string musical bow of African origin that functions as the absolute leader and commander of the roda.
  • The instrument dictates the exact speed, stylistic tone, and combat intensity of the capoeiristas through specific rhythms known as toques.
  • A traditional berimbau is constructed from a wooden staff, a steel wire, a hollowed gourd resonator, a small stone or coin, a bamboo shaker, and a wooden thin stick.
  • In a traditional orchestra, three distinct pitches are used: the deep-toned gunga to lead the group, the medium médio to hold the rhythm, and the high-pitched viola to improvise.
  • Enslaved Africans historically used the live music of the bow to camouflage their outlawed martial art, making the training look like an innocent dance to colonial authorities.
  • Today, the instrument holds a sacred status within the art, and capoeiristas show immense reverence toward it, celebrating its spiritual voice in countless traditional songs.

Capoeira Regional

  • Capoeira Regional is a modern, fast-paced, and highly combative style of the art created in the 1930s by the legendary Mestre Bimba in Salvador, Bahia.
  • The style was designed to rescue capoeira from social marginalization by transforming it into a highly structured, efficient, and respected martial art.
  • Mestre Bimba revolutionized the discipline by integrating elements of batuque and gymnastics, creating a faster game played higher off the ground with explosive kicks.
  • It introduced systematic training innovations, including the world's first official capoeira academy, standardized combat sequences, and a graduation system using colored scarves.
  • The musical structure is traditionally minimalist compared to older styles, using only one berimbau and two pandeiros to drive a clean, aggressive, and rapid rhythm.
  • Today, it stands as a monumental milestone that helped legalize the art nationwide, establishing a rigorous training philosophy followed by capoeiristas worldwide.

Mestre Bimba

Mestre Bimba (Manuel dos Reis Machado) was the legendary founder of Capoeira Regional, a faster and more combative style of the art.

  • Mestre Bimba (1899–1974) revolutionized the discipline by creating Capoeira Regional, modernizing the traditional Afro-Brazilian art.
  • He integrated elements of Batuque and gymnastics to make capoeira a highly effective and structured martial art.
  • In 1932, he founded the world's first official capoeira academy in Salvador, Bahia, establishing a rigorous training method.
  • He successfully convinced President Getúlio Vargas to lift the legal ban on capoeira, declaring it Brazil's national sport.
  • He introduced systematic innovations like white uniforms, a formal graduation system using colored scarves, and standardized combat sequences.
  • Disillusioned by a lack of government support in Bahia, he moved to Goiânia, where he tragically died in poverty a year later.


Zumbi

  • Zumbi (1655–1695) was the legendary last leader of the Quilombo dos Palmares, a massive self-governing kingdom of escaped slaves in northeastern Brazil.
  • Born free within the quilombo, he was captured as a young child, given to a Portuguese priest, and baptized, but later escaped at age fifteen to return home.
  • He rose to power as a brilliant military strategist and fiercely rejected a peace treaty with the Portuguese crown that would have kept newly escaped slaves shackled.
  • Under his command, the quilombo resisted decades of military assaults, using dense jungle guerrilla warfare tactics that closely shaped the early development of capoeira.
  • His fortified capital fell in 1694 after a massive artillery siege, and Zumbi was eventually betrayed, captured, and executed by colonial forces on November 20.
  • Today, he is immortalized as a supreme symbol of Afro-Brazilian freedom, and his death date is celebrated nationwide as Black Consciousness Day.